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tombes surréalistes
Notamment la tête charnue en forme de jardinière bleue et au rendu plastique libre et désinvolte du pastel à l'huile Pot Head
Rescapés de la catastrophe
and for oneself
Une collection inédite de 60 pictogrammes réalisés entre 1976 et 1996
Fervor Rinko Kawauchi tombes surréalistesFERVOR, by Juan Brenner, is a photographic essay that explores desire as a vital force in Guatemalas Western Highlands, a region marked by historical violence and complex power dynamics. Brenners photography poetically captures the interplay of devotional practices, everyday life, and digital culture, using the enigmatic folk saint San Simn as a symbol of resistance and transformation. San Simn, a mediator between the sacred and the profane, embodies
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