The Faces Matthew Specktor and discusses the technique of

and discusses the technique of multiple narrators

only to encounter a troubled young boy who

moving and wholly remarkable’ Guardian

a teenage girl whose idealism is challenged by a brutal brush with reality

Over the next twenty years they struggle and strive

The Faces Matthew Specktor and discusses the technique of'One of Denmark's most celebrated writers' New Statesman From the acclaimed author of the Copenhagen Trilogy, a searing, haunting novel of a woman on the edge, portrayed with all the vividness of lived experience. Copenhagen, 1968. Lise, a children's book writer and married mother of three, is increasingly haunted by disembodied faces and voices. She is convinced that her husband, already extravagantly unfaithful, will leave her. Most of all, she is