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The images in Dublin retain some of the style of Drum
HER OWN attempts the literal somatisation of the wound and at the same time the recovery of a woman and her own right to tell her story
allusion and echoes do not exist for their own sake
it doesn't have a formula and it certainly can’t be pigeon holed
including 30 copies with a signed and limited silver-gelatin print (special edition has sold out)
Hotwells Road, 1978 PM0139 The images in Dublin retainShot along Bristol's harbourside between 1978 and 1983, The Harbour chronicles a period of significant change for the city which reflects the wider experience of loss and regeneration in Britain at the time. After centuries during which the harbour was a central hub of the commerce of the city and great generator of its wealth, through fair and foul means, they had largely fallen silent. The end of that working life in the late sixties to the mid
