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Mitchell Anderson reviews the art of Switzerland’s 56th Venice Biennale representative Pamela Rosenkranz
Nick Angelo takes a walk through Dustin Hodges’s “Barley Patch
in a moment that is marked as deeply by the #metoo movement as anticolonial sentiment
Evan Ifekoya at Gasworks
at LUMA Foundation
337 WINTER 2021-22 magazine Mitchell Anderson reviews the artThis issue accompanies a time of profound ecological, social, and technological transition. The sculptures of Ser Serpas, cover story for this issue, are emblematic of such transient moments, as Ingrid Luquet Gad notes. These works are the result of a process in which language literally intersects residue materials that for society have become objects of waste, of abandonment. In some sense the worlds ecosystem is gradually losing its boundaries,
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