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the highest in the Mughal era
Jaswant Singh
It goes unsaid that unlike his forefathers who brought the artists of the imperial studios into the courts and their households
of frankly mixing together
this painting is the sole signed and dated piece in the collection (1630-32)
Tenga, from Hortus Indicus Malabaricus First Among Begums the highest in the MughalJTNDdWwlMjBjbGFzcyUzRCUyMm5hc2EtdGFicyUyMG5hc2EtY2xhc3NpYy1zdHlsZSUyMG5hc2EtY2xhc3NpYy0yZCUyMiUzRSUwQSUzQ2xpJTIwY2xhc3MlM0QlMjJuYXNhLXNpbmdsZS1wcm9kdWN0LXRhYiUyMGRlc2NyaXB0aW9uX3RhYiUyMG5hc2EtdGFiJTIwYWN0aXZlJTIwZmlyc3QlMjBsYXN0JTIyJTNFJTBBJTNDYSUyMGhyZWYlM0QlMjJqYXZhc2NyaXB0JTNBdm9pZCUyODAlMjklM0IlMjIlMjBkYXRhLWlkJTNEJTIyJTIzbmFzYS10YWItZGVzY3JpcHRpb24lMjIlMjByZWwlM0QlMjJub2ZvbGxvdyUyMiUzRSUwQU1hdGVyaWFscyUyMFVzZWQlM0MlMkZhJTNFJTNDJTJGbGklM0UlM0MlMkZ1
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