342 SPRING 2023 FUCK THE BAUHAUS (NEW SCULPTURE) Cover:Isabelle Albuquerque trans-embodied response to erosion

trans-embodied response to erosion

Marco Senaldi analyses the strategic proliferation and canny mediation of Cattelan’s bold imagery

or even drawings depicting political assassinations or weapons of mass destruction

Julien Ceccaldi at Kolnischer Kunstverein

the final installment of Pierre Bal-Blanc’s column “The Curatorial Gaze”

342 SPRING 2023 FUCK THE BAUHAUS (NEW SCULPTURE) Cover:Isabelle Albuquerque trans-embodied response to erosionOver the past decade, sculpture as a medium has undergone considerable stress and reappraisal. It has been hybridized into increasingly installational (in tandem with set design and display) and performative forms. In this regard, we have noted that artists using sculpture as their primary medium today from Aria Dean to Mimosa Echard to Anne Imhof are predominantly female. We have also noticed greater attention being paid to sculpture in the context