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so he can capture on his film their real
to missionary leaflets
traversing its vast landscape and documenting its perennially alluring vistas
forging connections in the industry that would eventually lead him to meet Henri Cartier-Bresson and Robert Capa
producing reportage all over the world
Contact Sheet Print: The Beatles, London, England, 1964 Art so he can capture onIn 1964, I was asked by a friend Dick Lester who was about to direct the first Beatles film A Hard Days Night, to photograph the film, not for press, but more from a sociological point of view, explains David Hurn, when asked how he came to photograph the most famous band in the world, as they played themselves in A Hard Days Night. Over roughly seven weeks in 1964, Hurn witnessed the complete chaos that surrounded the Beatles, then at the apex of
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